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"...an exciting technique and keen intelligence animated by an impetuous temperament...a remarkable talent."

The New York Times

“Ingrid Fliter's lovely piano recital at the Kennedy Center…provided evidence of an assured and discriminating musical intelligence yoked to a stage personality of unusual warmth and charm… Fliter's clarity of thought and meticulously calibrated dynamic control -- she commands a seemingly infinite variety of louds and softs -- were immediately apparent. I do hope Fliter returns soon, and to a venue where more people can hear her. She has much to offer us.”
Washington Post

"...inspired pianism captured on the wing."

Chicago Tribune

“[Fliter] proved a musician of immediate appeal. Her touch on the keyboard, soft and enveloping but with strength, heightened the clarity of her playing. She stretched long lines effortlessly and displayed a properly classical sense of proportion and understated elegance…Judging just from this one performance, she seems as much a thinker and communicator as virtuoso pianist.”

“Fliter appears to be a pianistic force of nature…stay tuned, a wonderful pianist has arrived.”

“Fliter is very much her own person, with essential sparks of individual imagination that show a fertile mind as well as a phenomenal technique at work…In the second half came a Chopin group that was simply spellbinding. The music seemed to flow from her with an utterly natural lyrical impulse, graced with power, luminous delicacy and a spectrum of tonal coloring that combined to mark her out as one of the most instinctive and eloquent Chopin interpreters playing today.”

“More than anything else it was Fliter’s out-sized, vivacious personality that proved so winning. Rarely will one encounter such infectious delight and sheer communicative pleasure in making music as that which the pianist put across Friday night [Miami International Piano Festival].”

“…this glamorous blonde pianist played the Beethoven Concerto No. 1, with the Los Angeles Philharmonic led fluidly by Charles Dutoit, and dared to go beyond dutiful adherence – she proclaimed Beethoven, in marvelously ghostly arpeggios, in an uncommonly searching cadenza, in sforzandos that jumped boldly off the page. A big-time contender.”

“Fliter possesses an awesome pianistic technique that is light years ahead of most power pounding competition winners….This extraordinary artist combines musical intelligence with the kind of keyboard mastery of which legends are made…Fliter is a force of nature and an artist of the highest order.”

“[Ingrid Fliter] made the music sound as though it were being born under her fingers... she balanced her selections neatly between demonstrations of remarkable technique and musical statements of considerable clarity, depth and resonance.”

Washington Post

“[Fliter] seemed to play to her greatest strength, which is her holistic approach to a piece. Her clear articulation of phrases and large-scale formal sections of a piece are signs of a mature artist…By all accounts, Fliter was a wise choice for the 2006 Gilmore Artist.”

“[This was] one of best the Chopin [performances] ever played by an Argentinean after Martha Argerich. Her version of the Chopin’s Concerto No. 2 can be registered among those produced by the most outstanding pianists of the two last generations: Kissin, Demidenko, Maria J. Pires, Kristian Zimmermann or Emanuel Ax".

Diario La Nación , Argentina

“Backed by a colossal technique and with a mental attitude allowing her to tackle the most conflict-ridden passages with amazing soundness, Ingrid offered a substantial reading, filled with musicality and life, of one of the most splendorous piano concertos of the Romantic Era [Chopin’s Piano Concerto No. 2].”

“Her performance radiated the innocent colorful youthfulness which is unique to Debussy's early masterpieces. Her refinement of keyboard touch is extraordinary, her tone always flexible, clear and metallic, her range of colors virtually infinite, and her dynamics subtly shaded ... This is all coupled with a unique duality which both encompasses rhythmic tension and flexible interpretation, and the rangy shaping of melody which is always logically articulated. To be concise: we heard a performance where virtuosity did not contradict poetry.”

“The young Argentine, Ingrid Fliter…attacked Beethoven's "32 Variations" in an unexpected display of aplomb and confidence. Nothing within this magnetic work escaped the pianist's fingers. Poise was conveyed with innate spontaneity and constant elegance. Her stylistic assertiveness brings us before an outstanding interpreter… Her powerful Chopin with which she started the second part of her program showed impeccable rhythm and excellent dynamic qualities. Heroic passages blended into tenderness…she possess a magnificent technique and superior mechanism, thus giving her plenty of leeway to create these moments without uncalled for exhibitionism.”

Critical Acclaim